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Patina (ˈpa tə nə) is a film on the surface of bronze or similar metals, produced by oxidation over a long period, sheen on wooden furniture produced by age, wear and polishing, or any such acquired change of a surface through age and exposure. On metal, patina is a coating of various chemical compounds such as oxides or carbonates formed on the surface during exposure to the elements (weathering). Patina also refers to accumulated changes in surface texture and colour that result from normal use of an object such as a coin or a piece of furniture over time.1
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Advantages
Patinas are restricted to exposed surfaces and are fragile (that is, they can flake off). One reason bronze is so highly valued in statuary is that its patina protects or passivates it against further corrosion. This natural patina is solid and seldom shows a tendency to flake. Brass is also resistant to corrosion, but it is, in the long run, not as attractive since local pitting shows against the shiny background.
Etymology
The word "patina" is pronounced PAT'n-uh (although puh-TEE-nuh has come into common use in the U.S.),2 and comes from the Latin for "shallow dish". Figuratively, patina can refer to any fading, darkening or other signs of age, which are felt to be natural and/or unavoidable.
The chemical process by which a patina forms is called patination, and a work of art coated by a patina is said to be patinated.
Acquired patina
The green patina that forms naturally on copper and bronze is known as verdigris and consists of copper carbonate.
One example of a patina is a green surface texture created by slow chemical alteration of copper, producing a basic carbonate. It can form on pure copper objects as well as alloys which contain copper, such as bronze or brass.
Applied patina
Artists and metalworkers often deliberately add patinas as a part of the original design and decoration of art and furniture, or to simulate antiquity in newly-made objects.
A wide range of chemicals, both household and commercial, can give a variety of patinas. They are often used by artists as surface embellishments either for color, texture, or both. Patination composition varies with the reacted elements and these will determine the color of the patina. Exposure to chlorides leads to green, while sulfur compounds (such as "liver of sulfur") tend to brown. For artworks patination is deliberately accelerated by heat. Colors range from matte sandstone yellow to deep blues, reds and various blacks, sometimes with the surface sheen enhanced by waxing for artwork displayed indoors.
Patina is also found on slip rings and commutators. This type of patina is formed by corrosion, what elements the air might hold, residue from the wear of the carbon brush and moisture; thus, the patina need special conditions to work as intended.
Patinas can also be found in woks or other metal baking dishes, which form when properly seasoned. The patina on a wok is a dark coating of oils that have been burned onto it to prevent food sticking and to enhance the flavor of the foods cooked in it. Steaming foods or using soap on a wok or other dish ware could damage the patina and possibly allow rust.
Value
Apart from the aesthetic appearance and practical protection of patination, antique experts confirm that an object's value increases when its patination is intact because it is an important effect of the ageing process and this evidential history is reflected in the value of the piece.3
In terms of antiques then,
Patina is everything that happens to an object over the course of time. The nick in the leg of a table, a scratch on a table top, the loss of moisture in the paint, the crackling of a finish or a glaze in ceramics, the gentle wear patterns on the edge of a plate. All these things add up to create a softer look, subtle color changes, a character. Patina is built from all the effects, natural and man-made, that create a true antique." - Israel Sack4
Repatination
In the case of antiques, several views are held on the value of patination and its replacement if damaged: repatination.
Preserving a piece's look and character is important and removal or reduction may dramatically reduce its value though if patination has flaked off repatination may be recommended.3
Appraiser, Reyne Haines notes that "a repatinated metal piece will be worth more than one with major imperfections in the patina," but less than a piece still with its original finish.3
Gallery
 In this cast bronze sculpture, Balance by David Ascalon, reactive chemicals were applied to the metallic surface to create an intentional surface patina (in this case, a marbleized blue). |
 The splash pattern from "instant" patination by highly reactive chemicals is visible on this brass surface by Stoller Metals. [1] |
References
- ^ [3]
- ^ Elster, Charles Harrington (2006). What in the Word?. Harcourt Trade Publishers, 186-87. ISBN 0156031973.
- ^ a b c [4]What "Patina" Really Means, by Dennis Gaffney May 19, 2009
- ^ History Detectives . Investigative Techniques . Geological Analysis | PBS
Further reading
Richard Hughes, Michael Rowe,. The Colouring, Bronzing and Patination of Metals. London: Thames & Hudson Ltd. ISBN 0-500-01501-5. An excellent reference to recipes and techniques for patinas on non-ferrous metals.
Wikipedia content modification information:
- This page was last modified on 18 November 2008, at 15:17.
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