Shilappadikaram

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Topics in Sangam literature
Sangam literature
Akattiyam Tolkāppiyam
Patiṉeṇmēlkaṇakku
Eṭṭuttokai
Aiṅkurunūṟu Akanaṉūṟu
Puṟanāṉūṟu Kalittokai
Kuṟuntokai Naṟṟiṇai
Paripāṭal Patiṟṟuppattu
Pattuppāṭṭu
Tirumurukāṟṟuppaṭai Kuṟiñcippāṭṭu
Malaipaṭukaṭām Maturaikkāñci
Mullaippāṭṭu Neṭunalvāṭai
Paṭṭiṉappālai Perumpāṇāṟṟuppaṭai
Poruṇarāṟṟuppaṭai Ciṟupāṇāṟṟuppaṭai
Patiṉeṇkīḻkaṇakku
Nālaṭiyār Nāṉmaṇikkaṭikai
Iṉṉā Nāṟpatu Iṉiyavai Nāṟpatu
Kār Nāṟpatu Kaḷavaḻi Nāṟpatu
Aintiṇai Aimpatu Tiṉaimoḻi Aimpatu
Aintinai Eḻupatu Tiṉaimoḻi Nūṟṟu Aimpatu
Tirukkuṛaḷ Tirikaṭukam
Ācārakkōvai Paḻamoḻi Nāṉūṟu
Ciṟupañcamūlam Mutumoḻikkānci
Elāti Kainnilai
Tamil people
Sangam Sangam landscape
Tamil history from Sangam literature Tamil literature
Ancient Tamil music Sangam society

Silappathikaram (Tamil: சிலப்பதிகாரம்; IPA[siləppəd̪iɡɑːrəm]),1 is the greatest of the five great epics of ancient Tamil Literature. The poet prince Ilango Adigal, a Buddhist monk, is credited with this work. He is reputed to be the brother of Senguttuvan from Chera. As a literary work, it is held in high regard by the Tamils. The nature of the book is narrative and has a moralistic undertone. It contains three chapters and a total of 5270 lines of poetry. The epic revolves around Kannagi, who having lost her husband to a miscarriage of justice at the court of the Pandya king, wreaks her revenge on his kingdom.

Silappatikaram has been dated to belong to the 1st century CE2, although the author might have built upon a pre-existing folklore to spin this tale. The story involves the three Tamil kingdoms of the ancient era, the Chola, the Pandya and the Chera. Silappatikaram has many references to historical events and personalities, although it has not been accepted as a reliable source of history by many historians because of the inclusion of many exaggerated events and achievements to the ancient Tamil kings.

Regarded as one of the great achievements of Tamil genius, the Silappatikaram is a poetic rendition with details of Tamil culture; its varied religions; its town plans and city types; the mingling of Greek, Arab, and Tamil peoples; and the arts of dance and music3.

Ilango Adigal (poet prince)

Contents

Historical Importance

The first indian epic written about an ordinary Hindu Chola country man's life, and by a Jain Chera country Prince who turned to Ascetic, and in a simple understandable literature. It was during the times, only complex literature were evident for epics and were written in praise of Religions and Kings, by ordinary poets.

The story evolves in terms of Three, at least of the following

Three Kingdoms -Chola, Pandiya, Chera

Three Religions - Hinduism, Buddhism, Jainism

Three Heroines - Kannangi, Madhavi, Manimekalai

Three Ways of life - Married(Kannagi), Public(Madhavi), Ascetic(Manimekalai)

Three Episodes - Puhar, Madurai, Vanchi

Three Walks and Types of Land - Seashore(Poompugar), Fertile(Madurai), Mountain(Vanchi)

Structure of Silappatikaram

Silappatikaram contains three chapters:

  • Puharkkandam (புகார்க் காண்டம் – Puhar chapter), which deals with the events in the Chola city of Puhar, where Kannagi and Kovalan start their married life and Kovalan leaves his wife for the courtesan Madavi,this contains 10 sub dvisions
  • Maduraikkandam (மதுரைக் காண்டம் – Madurai chapter) , is situated in Madurai in the Pandya kingdom where Kovalan loses his life, incorrectly blamed for the theft of the queen's anklet, this contains 7 sub divisions
  • Vanchikkandam (வஞ்சிக் காண்டம் – Vanchi chapter), is situated in the Chera country where Kannagi ascends to the heavens, this contains 13 sub divisions

Each of these chapters are made of several sub chapters called kaathais. Kaathais are narrative sections of the chapters.

Historical and social setting

At the end of the Sangam epoch (second – third centuries CE), the Tamil country was in political confusion. The older order of the three Tamil dynasties were replaced by the incursion of the Kalabhras. These newcomers encouraged the religions of Buddhism and Jainism. Ilango Adigal, probably lived in this period and was part of the vast number of Jain and Buddhist authors in Tamil poetry. These authors perhaps influenced by their monastic faiths, wrote books based on moralistic values and illustrating the futility of the materialistic pleasures. These poets freely borrowed from Sanskrit literature, which had numerous books of didactic nature, as well as narrative plays by Bhāsa and Kalidasa. These authors went beyond the nature of Sangam poems, which were content to describing human emotions and feelings in an abstract fashion, and employed fictional characters in a well conceived narrative incorporating personal and social ramifications. Tamil epics were thus invented by these poets.

The author of Silappatikaram was Ilango Adigal (lit. Prince Ascetic). He is reputed to the brother of Chera king Senguttuvan, however there is no evidence in the Sangam poetries of such brother of the famous king.4 There are also claims that Ilango Adigal was a contemporary of Sattanar, the author of Manimekalai.5 The prologues of each of these books tell us that each were read out to the author of the other [Silappatikaram, pathigam 90]. From comparative studies between Silappatikaram and certain Sanskrit Buddhist and Jain works such as Nyayaprakasa, the date of Silappatikaram has been determined to be around the fifth and the sixth centuries CE.6

The story of Silappatikaram is set during the first few centuries of CE and narrates the events in the three Tamil kingdoms: Chera , Chola, and Pandya. It also mentions the Sinhala king Gajabahu and the Chera Senguttuvan.7 It confirms that the northern kingdoms of Chedi, Uttarakosala, and Vajra were known to the Tamil people of the time. The epic also vividly describes the Tamil society of the period, its cities, the people's religious and folk traditions and their gods.

Objectives

In the pathigam, the prologue to the book, Ilango Adigal gives the reader the gist of the book with the précis of the story. He also lays the objectives of the book:

அரசியல் பிழைத்தோர்க் aaram kutragum

Main characters

Folk art and music in Silappatikaram

Literary value

The Silappatikaram, apart from being the first known epic poem in Tamil, is also important for its literary innovations. It introduces the intermingling of poetry with prose, a form not seen in previous Tamil works. It features an unusual praise of the Sun, the Moon, the river Kaveri and the city of Poompuhar at its beginning, the contemporary tradition being to praise a deity. It is also considered to be a predecessor of the Nigandu lexicographic tradition.

Pathini Cult

Legends say that the Chera king Senguttuvan built a temple to Kannagi (present Bhagawati (Kali 8) temple at Kodungallur of South Indian state Kerala). King Gajabahu of Sri Lanka and the Chola king Perunkilli attended the consecration of the temple. The worship of Kannagi as an embodiment of chastity continues in the worship of Kannagi Amman, Bhagavathi Amman or Pattini Theyvam in Tamil Nadu, Kerala and Sri Lanka.

Trivia

  • As per the legend, Kannagi travels to Attukal after burning Madurai. Today she is worshipped as the primary goddess in the famous Attukal Bhagavathi Temple.
  • As per another legend ,the temple at Kodungallur was built by Cheran Senguttuvan for Kannagi as a manifestation of Goddess Kali or Durga

Popular culture

The culture of Kollywood has borrowed heavily on Thamizh folklore for inspiration. The burning of Madurai is metioned in the song Naaku mooka from the move Kadhalil Vizhunthen.

Further reading

Notes

  1. ^ Silappatikaram literally means 'the epic of the anklet'
  2. ^ Ilango Adigal's epic is dated to belong to 1st century
  3. ^ Encyclopedia - Britannica Online Encyclopedia
  4. ^ K. A. Nilakanta Sastry, A history of South India, pp 397
  5. ^ Manimekalai, a Buddhist poem, tells the story of Manimekalai, the daughter of the union between Kovalan and Madavi.
  6. ^ See K. A. Nilakanta Sastry, A history of South India, pp 398
  7. ^ See Codrington, H. W. A short History of Ceylon, London (1926) (http://lakdiva.org/codrington/).
  8. ^ Kodungallur Bhagavathy Temple

References

  • Minatchisuntharan, T. P. History of Tamil Literature. Annamalai University Publications in linguistics, 3. Annamalai University,1965)
  • Krishnamurti , C. R., Thamizh Literature Through the Ages, Vancouver, B. C. Canada (http://www.tamilnation.org/literature/krishnamurti/02sangam.htm)
  • Nilakanta Sastri, K. A. (1955). A History of South India, OUP, New Delhi (Reprinted 2002).
  • Codrington, H. W. A short History of Ceylon, London (1926) (http://lakdiva.org/codrington/).
  • R. Parthasarathi, The Chilappathikaram of Ilanko Atikal, Columbia University Press, 1993, ISBN 0-231-07848-X.

Further reading

Tamil Nadu's Silappathikaram Epic of the Ankle Bracelet: Ancient Story and Modern Identity by Eric Miller [1]

  • The Silappatikaram of Ilanko Atikal: An Epic of South India (Translations from the Asian Classics) by R. Parthasarathy (1992)
  • An Introduction to Cilappathikaram
  • Cilapathikaram in Tamil Unicode - pukaark kaaNtam, maturaik kANTam, vanjcik kANTam
  • English Translations of Sangam Literature and Silapathikaram

External links

  • Attukal Devi - The Mother of Love Attukal Bhagavathy Temple is a popular temple that belongs to the prehistoric era. The temple is considered as one of the most famous ancient temples in the whole of south India. Temple is more popularly known as the Sabarimala of the Women. The reason is that most of the devotees are women in this temple. The Pongala Mahotsavam is the most important festival of temple. Pongala festival has found a place in the Guinness Book of World Records for the highest attendance of women. Visit: www.attukaldevi.com
  • GRETIL etext

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  • This page was last modified on 20 November 2008, at 07:21.

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